Pet projects: Why they go wrong


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Pet projects: Why they go wrong

Film Retrospective: Planet of the Apes (1968)


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Film Retrospective: Planet of the Apes (1968)

Article: Actor Focus: Luke Thornley


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Article: Actor Focus: Luke Thornley

Reshoot & Rewind’s Best Movies of 2015


720x405-Joy-InsideOut_Charlize-MadMax2015 was certainly an interesting year for politics, economics, art, and everything in between. The world was forced to watch on in horror as the forces of evil attempted to destroy our way of life. People lost their lives, cities were attacked, and the world’s governments came together to make a difference. We stood against those responsible, questioning their motives and responding to threats.

The year in cinema pushed boundaries and formed unique and invigorating works of art. Films including The Martian and Sicario, both of which I watched on the same day, proved the magic and majesty of celluloid can illuminate the globe. However, films including Fantastic Four and Chappie fell flat on their stupid faces!

For Reshoot & Rewind, the year delivered its fair share of hits. Covering a greater number of topics and formats, I aimed to take chances and deliver the best articles possible for my loyal followers. I hope to make 2016 an even better year for myself and the site. Thank you all for embracing the craziness – delving into the reviews, lists, interviews, news pieces, op-eds etc. I loved putting together.

Here are the best of the best:

1. The Martian

Director Ridley Scott returns to form with this testament to technology, ingenuity, and the human spirit. The Martian is a fascinating and fun action-adventure-sci-fi romp, bringing Scott and leading man Matt Damon back from the brink of critical and commercial failure. Every element –  including its gleeful lead characters, rousing set pieces, light-hearted direction, and positive message – establishes this rollercoaster ride as one of 2015’s most innovative and spirited works of art.

2. Sicario

Sicario marks the true power of Hollywood cinema, spreading its wings and utilising its resources to discuss a crucial socio-political topic. This crime-thriller, yet again, showcased the brilliance and resilience of director Denis Villeneuve and cinematographer Roger Deakins. Together, these power-house professionals paint a gorgeous, gritty, and confronting picture of the US-Mexico conflict. Emily Blunt, Josh Brolin, and Benicio del Toro craft strong performances, bouncing off on another with style. The film draws the line between what is right and what is beneficial for the free world.

3. Mad Max: Fury Road

Mad Max: Fury Road is the year’s most invigorating and inventive blockbuster. Every ingredient of this post-apocalyptic actioner is awe-inspiring. Balancing between nostalgia and a contemporary vision, the film marks the glorious return of acclaimed filmmaker George Miller. A key part of 2015’s feminist angle, it bravely pushed it titular character to the side – crafting the most fun female action hero since Ellen Ripley from the Alien Franchise. In addition, any film featuring the line: “Fang it, schlanger” is alright by me!

4. 99 Homes 

99 Homes is a shocking and rousing account of middle America’s struggle against The Man. Shockingly, it’s based in the realm of reality! From its confronting opening sequence, the film delves head-on into the post-Global Financial Crisis wasteland. As a character study, 99 Homes excels thanks to efficient, brutal screenwriting and direction. As a performance piece, lead actors Andrew Garfield and Michael Shannon deliver powerful, gripping performances as two sides of the same coin.

5. Bridge of Spies 

Steven Spielberg is one of few contemporary filmmakers still creating genuine works of art. Charging through a multi-decade career, the veteran genius returns to true form with Lincoln and Bridge of Spies. Bridge of Spies, teaming up Spielberg with Tom Hanks again, links a Cold War-era narrative with modern socio-political themes. The film fuses comedic moments with dark, searing drama, serving up one of the era’s least known but most enthralling true stories.

6. Creed

In the year of long-awaited/belated sequel/reboot/whatevers, Creed broke the mould, destroyed the competition, but was still gracious in victory. Easily eclipsing Jake Gyllenhaal-vehicle Southpaw, the film aptly harks back on the Rocky franchise legacy whilst heading on its own journey. Throwing their names into the Oscar buzz ring, leading man Michael B. Jordan and American treasure Sylvester Stallone deliver career-defining turns in a magnetic mentor-protege relationship. Creed was the biggest surprise of 2015.

7. Youth 

Unlike many ‘For Your Consideration’ projects, dramedy Youth acknowledges its foreign director’s style, allowing them to create a truly original achievement. The film simply would not work without Paolo Sorrentino’s outside-the-box vision and acute attention to detail. This dramedy ably comments on the highs and lows of celebrity and age. Lead actors Michael Caine and Harvey Keitel handle the balance between satirical bite, emotional intensity, and laugh-out-loud moments with ease.

8. Inside Out

As the modern version of Herman’s Head, Inside Out proves that a familiar idea can be reinvigorated and improved upon with the right people involved. Pixar Animation Studios, returning to form after a string of disappointments, showcases truckloads of imagination with this light, breezy effort. Featuring likeable characters and enjoyable set-pieces, Inside Out is a more exciting action extravaganza than Jurassic World, Terminator: Genisys, and Jupiter Ascending combined. In addition, its climax will have every viewer shedding a tear or two.

9. Selma

Robbed of success at this year’s Academy Awards, Selma is an emotionally affecting and necessary docudrama. Covering Martin Luther King, Jr.’s rise to prominence in America’s conscious state, the film documents a tough, gruelling time in modern civilisation. Covering important events and key issues, Ava DuVernay’s direction depicts the essential details with class and maturity. David Oyelowo, another British actor perfectly embodying an American historical figure, is worth the admission cost alone.

10. Birdman or (The Unexpected Virtue of Ignorance)

Winning Best Picture and Best Director deservedly, Birdman or (The Unexpected Virtue of Ignorance) is a flawed but ultimately assured and detailed dramedy. Veering away from 21 Grams and Babel territory, acclaimed filmmaker Alejandro Gonzalez Inarritu crafts an outside-the-box analysis of contemporary cinema, celebrity, and fandom. He along with cinematographer Emmanuel Lubezki create many “How did they do that?!” flourishes throughout this thought-provoking character study. Michael Keaton is back with a vengeance!

Honourable Mentions:

Star Wars Episode VII: The Force Awakens, Amy, Dope, Mississippi Grind, The Program, The Lobster, Straight Outta Compton, The Gift, Mission: Impossible – Rogue Nation, Love & Mercy, Slow West, A Most Violent Year, Top Five, The Avengers: Age of Ultron 

Biggest Surprises:

The Man from U.N.C.L.E., Spooks: The Greater Good, Trainwreck, Ant-Man, Going Clear: Scientology and the Prison of Belief, Partisan, Unfriended, Ex Machina, The DUFF, Still Alice, Furious 7, Run All Night, American Sniper, Focus, Pride, Kingsman: The Secret Service, The Longest Ride

Reshoot & Rewind’s Worst Movies of 2015


worst-movies-2015-pic2015 was certainly an interesting year for politics, economics, art, and everything in between. The world was forced to watch on in horror as the forces of evil attempted to destroy our way of life. People lost their lives, cities were attacked, and the world’s governments came together to make a difference. We stood against those responsible, questioning their motives and responding to threats.

The year in cinema pushed boundaries and formed unique and invigorating works of art. Films including The Martian and Sicario, both of which I watched on the same day, proved the magic and majesty of celluloid can illuminate the globe. However, film including Fantastic Four and Chappie fell flat on their stupid faces!

For Reshoot & Rewind, the year delivered its fair share of hits. Covering a greater number of topics and formats, I aimed to take chances and deliver the best articles possible for my loyal followers. I hope to make 2016 an even better year for myself and the site. Thank you all for embracing the craziness – delving into the reviews, lists, interviews, news pieces, op-eds etc. I loved putting together.

Here are the worst of the worst:

1. Pixels

Family action-comedy Pixels represents every single thing wrong about 21st century Hollywood filmmaking. This bland effort teams up a short-film premise with Adam Sandler and his band of merry morons. Director Chris Columbus sinks further into mainstream hell with this derivative waste of time and money. Talents including Michelle Monaghan, Brian Cox, Josh Gad, and Peter Dinklage are left stranded in unlikeable roles. This is Hollywood’s worst impulses stuffed into a hurricane force of mediocrity. F*ck off, Sandler!

2. By The Sea

Writer, director, activist, and actress Angelina Jolie was given free reign to produce and market By the Sea. The Result: a critical and commercial disaster of epic, Gigli-esque proportions. This self-indulgent, trite romantic-drama lambasts the very idea of marriage… despite being created by the most famous married couple on Earth (very strange, indeed). The plot is non-existent, the characters are unlikeable and childish, and Jolie’s writing and direction bang the same note repeatedly. First Unbroken, now By the Sea – go back to humanitarian work!

3. Taken 3 

Despite the cheap thrills of Run All Night, 2015 marked the sad, violent conclusion of Liam Neeson’s reign as Hollywood’s leading geriatric action hero. Taken 3, bludgeoning a dead horse, is somehow worse than the excruciating Taken 2. Lacking the original’s bursts of energy, director Olivier Megaton (Columbiana) delivers a sequel entirely for the sake of monetary gain. Gigantic plot-holes and a derivative man-on-the-run narrative further obliterate contemporary action cinema’s reputation.

4. Fantastic Four 

After the 2005 and 2007 Fantastic Four disasters, 2015’s ‘dark and gritty’ reboot needed only to improve upon its lackluster predecessors. Bafflingly, those flicks now seem more refined and unique compared to this clunker. This tone deaf, bizarre superhero flick lacks the energy, thrills, and even pulse of the Marvel Cinematic Universe and X-Men entries. Thanks to feuds between the studio and director Josh Trank, Fantastic Four is a confused and boring non-starter. Back to the drawing board, yet again.

5. Hot Pursuit

Reese Witherspoon, following up her latest Oscar nomination for Wild, destroys her reputation with Hot Pursuit. Producing and starring in this tired comedy, Witherspoon’s attempt at strong female characters fails spectacularly. She and co-star Sofia Vergara portray the year’s most annoying and insulting characters, tripping over one another thanks to bizarre accents and over-the-top pratfalls. The film’s attempts at edgy comedy also fall flat – adding menstruation jokes to almost every scene.

6. Chappie

Director Neill Blompkamp, following up his breakout hit District 9 with polarising blockbuster Elysium, further descends into the M. Night Shyamalan-writer/director doldrums with sci-fi-drama Chappie. His latest effort is a misjudged, over-the-top venture afraid to delve into any one discernible plot-line or theme. Shoving multiple feature film ideas into one narrative, this romp is a hollow mess of plot-holes, shallow characters, and a limited sense of style and vision.

7.  Jupiter Ascending

The Wachowski siblings, like Blompkamp, are on a downward slide from bad to worse to downright disgraceful. Are the failures of Speed Racer and the Matrix sequels, Jupiter Ascending finally puts the last nail in the coffin. This sci-fi flick stuffs seven TV episodes into one two-hour experiment – forming an irritating cacophony of exposition, one-note characters, atrocious dialogue, and laughable moments. Thankfully, the Wachowskis have now been banished to TV with Sense8.

8. The Last Witch Hunter

Vin Diesel, arguably the most famous Dungeons & Dragons player in history, was given all the power and money to adapt his adventures for the big screen. However, The Last Witch Hunter proves Diesel should only be allowed to do Fast & Furious and Riddick installments. This cliched, uninteresting action-adventure is a confusing slog through exposition and predictable plot developments. Dragging talents Michael Caine and Elijah Wood through the mud, Diesel’s latest project shows some people have too much power.

9. Entourage

Vinnie, E, Turtle, Drama, and Ari Gold return in a TV adaptation released at least three years too late. Unleashed four years after the series’ final season, this franchise extender lands smack-bang in one of Hollywood’s most progressive eras. Carrying the show’s wish-fulfillment elements, whilst lacking the first-two seasons’ satirical bite, the film is a frat-boy fantasy drenched in pure sexism, bitterness, excess, and self-indulgence. Jeremy Piven aside, the movie also features the year’s worst performances.

10. Knight of Cups 

‘Ambitious’ writer/director Terrence Malick, after Oscar-buzz magnet The Tree of Life and polarising drama To The Wonder, returns with Knight of Cups to diminishing returns. Although aided by cinematographer Emmanuel Lubezki, this pretentious, befuddling effort offers little else than Malick’s signature flourishes on repeat. The film lacks any sense of narrative, character, or theme other than: “Hey look, sunsets are nice”. Worse still, its biggest crime is under-utilising Christian Bale’s talents.

Dishonourable mentions:

The Dressmaker, Vacation, Legend, Pan, Survivor, Hitman: Agent 47, Self/less, Paper Towns, Ruben Guthrie, Ted 2, Terminator: Genisys, The Loft, The Cobbler, Jurassic World, Unfinished Business, Dumb & Dumber To, Aloha, Home Sweet Hell, The Gunman, Get Hard, Unbroken, The Theory of Everything

Biggest disappointments:

Joy, Truth, In the Heart of The Sea, Spectre, Spy, Crimson Peak, The Walk, Black Mass, Everest, Southpaw, Minions, San Andreas, Gemma Bovery, Tomorrowland, Woman in Gold, Blackhat, Pitch Perfect 2, The Second Best Exotic Marigold Hotel, Inherent Vice

Interview: Maziar Lahooti (Filmmaker)


Maziar Lahooti

Interview: Maziar Lahooti

Trailer Trash: Fantastic 4


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Trailer Trash – Fantastic 4