It is easy to confuse three of Great Britain’s best actors working today – Benedict Cumberbatch, Tom Hiddleston and Eddie Redmayne. Cumberbatch, thanks to everything from Doctor Strange to 12 Years a Slave, has developed a sterling reputation. His weird and wonderful performances showed off a bright personality. Indeed, over the past few years, the actor has starred in almost everything. Along with his star-making turn on Saturday Night Live last month, the performer has stepped out of his heroes’ shadows and become a solid A-lister.
Hiddleston is a multi-talented performer and all-around jokester. Like Cumberbatch, Hiddleston’s internet fame relies on gifs and memes. His turns as Loki in the Avengers flicks, along with numerous independent flicks and out-there character-dramas, have also assisted the British Thespian. Admirably, Hiddleston and Cumberbatch have extended their talents to London’s West End (whenever they get time off from tinseltown).
Redmayne, on paper, has yielded critical and commercial acclaim. Statistically speaking, very few actors ever have had everlasting success in Hollywood. He deserves praise for achieving what so many try at and fail to accomplish. However, does he deserve it? On the one hand, his earlier performances in My Week With Marilyn and Les Miserables are noteworthy. The performer once turned seemingly indistinguishable characters into charming rogues.
In those performances, his off-screen charm came to the fore. On the Graham Norton/late night show format, Redmayne provides (coasts by on) a fresh smile and cute stories about his career. More often than not, his appearances are worth tuning in to. He also engages with the other guests better than most seasoned A-listers do. His Graham Norton Show appearances alongside the likes of Jennifer lawrence and Bryan Cranston make for series highlights.
So, what is going wrong on screen? For one, he is continually sidelined with woeful material. On paper, Jupiter Ascending, Fantastic Beasts, The Theory of Everything and The Danish Girl are interesting choices. In execution, they all suck. In his defense, even the best actors could not save those particular projects from their woeful direction and messy scripting. Maybe it’s his agent’s fault after all…
The four aforementioned stinkers have turned me away from Redmayne as a performer. Jupiter Ascending is, of course, an inconsequential mess of biblical proportions. The Wachowski siblings have only deliver one worthwhile movie (The Matrix…17 years ago). Since then, their pride and ambition have continually tripped them up. Jupiter Ascending is the worst of the bunch. Redmayne’s tiresome performance sums it up – laughable and over-the-top without purpose. Taking a turn into villainy, Redmayne makes (theoretically) interesting choices. Some lines are whispered, others are screamed in a high-pitched wail. His waspish, wimpy persona makes for a stereotypical Gary Oldman-villain turn without anything going on beneath the surface.
Of course, The Theory of Everything placed him directly in the spotlight. He picked up the Oscar for Best Actor and never looked back, leaving Birdman (Or the Unexpected Virtue of Ignorance) star Michael Keaton without that elusive golden statue. As you could probably guess, I believe Keaton should have won it that year. Keaton poured his soul into that performance – expertly playing a washed-up, over-the-hill performer with one more breath left to give. Despite the mixed reception to the movie, everyone praised Keaton’s magnetic performance and return to A-list status. Of course, typical docudrama/Oscar bait saw Theory of Everything‘s star cross the line first.
The Danish Girl was even more egregious and disastrous than the latter movies. Director Tom Hooper, fresh off overrated misfire The King’s Speech and slightly-better Les Miserables, wanted to grab another golden statues with both hands. He failed spectacularly. In this case, Redmayne is underserved, nay obliterated, by Hooper’s annoying direction and the screenplay’s pure sappiness. Redmayne is thrown into a wholly underwritten role. Playing a transgender, true-life figure, his role and performance should have knocked it out of the park. However, the IT-actor is left to give an array of over-the-top flourishes.
Of course, Redmayne is a rich, acclaimed actor working on his own career and life. Hollywood is certainly a treacherous stretch of terrain for everyone, and he seems to be handling fame well. Future projects may indeed give Redmayne his first 100% beloved performance. However, he is currently walking a tightrope between sensitivity and a sub-par Hugh Grant impression. For now, we’re left to fear what franchise or hot property he will be involved in next.