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Director: Jean-Francois Richet

Writer: Peter Craig, Andrea Berloff

Stars: Mel Gibson, Erin Moriarty, William H. Macy, Diego Luna

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Release date: August 31st, 2016

Distributor: SND Films

Country: France, USA

Running time: 88 minutes


3½/5

Best part: Gibson’s committed performance.

Worst part: The gangbanger villains.

2016 marks big, bad actor/director Mel Gibson’s shiny return to the big screen. Is it ok to accept the artist despite the controversies? Should we forgive and forget despite serious – and possibly unresolved – social problems? Whatever the case, Gibson is back with action-thriller Blood Father and directorial effort Hacksaw Ridge.

Blood Father kicks off with American war veteran and ex-hardened criminal turned convict John Link (Gibson) in a mediocre existence. Thanks to his parole officer’s orders, he is unable to drink, do drugs, or leave the state. Stuck in a dead-end tattoo business, housed in his caravan home, he longs to find his missing daughter Lydia (Erin Moriarty). Lydia’s life goes from bad to worse. Influenced by her drug-running boyfriend Jonah (Diego Luna), she joins his assault on tenants occupying cartel-owned homes. After an accidental shooting, she runs off and meets up with Link. The cartel’s baddest are hot on their trail.

Obviously, Blood Father lacks the big-budget prowess of Gibson’s 1980s/90s hey day. The veteran performer can do ‘dark and gritty’ this in his sleep. Director Jean-Francois Richet (Public Enemy #1, the Assault on Precinct 13 remake) boils everything down to essential elements. This little known director tackles one of Hollywood’s best (watch Braveheart and Apocalypto for confirmation) and gets his way. His style provides Gibson some meat to chew on. The drama builds slowly throughout the first half. As Link and Lydia steadily come together, the story delves into their broken lives. Richet and co. revel in Link’s dour existence. As Link and Lydia team up, the man-on the-run thread lightens the tone. That slight elevation from depressing to gritty builds the excitement.

Make to mistake, this is comfort food cinema. The ‘heroes are bad, villains are worse’ plot works well here. While the violence raises the stakes. Peter Craig and Andrea Berloff’s script provides fun surprises and an off-beat sense of humor. Their witty one-liners and lean sarcasm balance the jarring tonal shifts. The opening scene is a highlight; laughing at America’s lackadaisical gun laws. Link’s friend Kirby (William H. Macy), on the surface, is an nice-guy/target archetype. However, the writers and Macy make us care. His nasty gags and protective nature are worthwhile attributes for an otherwise throwaway supporting character. Gibson is the stand out performer – proving he still has the charisma and ferocity to pull off meaningful roles. Moriarty, however, is somewhat bland.

Blood Father recalls Gibson’s action-movie good ol’ days. Discussing the icon’s past, present and future, it is much deeper than most may give it credit for. At the very least, it is worth at least one Saturday afternoon viewing on Netflix.

Verdict: A fun, lazy-afternoon watch.

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