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Director: Fede Alvarez

Writers: Fede Alvarez, Rodo Sayagues

Stars: Jane Levy, Dylan Minnette, Daniel Zovatto, Stephen Lang

dontbreathelarge


Release date: September 1st, 2016

Distributors: Screen Gems, Stage 6 Films

Country: USA

Running time: 88 minutes


4/5

Best part: The cinematography.

Worst part: Daniel Zovatto’s character.

2016 is the year of bottle-film/horror-thrillers. Movies like 10 Cloverfield Lane, Green Room and Don’t Breathe feature helpless people, trapped in small spaces by complete psychopaths. Of course, the drama relies on their repeated attempts to escape. This peculiar resurgence delivers the goods. Don’t Breathe, although not the best of them, makes for an exhilarating 88 minutes.

Don’t Breathe is more thrilling and fun than most of 2016’s blockbusters. Maybe, the lack of expectations helps smaller-budget/independent features become more fulfilling experiences. This horror-thriller kicks off with three criminals – Rocky (Jane Levy), Alex (Dylan Minnette) and Money (Daniel Zovatto). The trio burgle high-end residences secured by Alex’s father’s security company. Saving up to leave Detroit for Los Angeles, they get word of a one-last-heist opportunity. The three track down a blind war veteran (Stephen Lang) said to have $300,000 in his home in an abandoned neighbourhood. The man, whose daughter died in a car accident, was supposedly paid off by the culprit’s family. Obviously, the mission does not go smoothly. Upon entering the house, they discover the blind man’s taste for murder.

Writer/director Fede Alvarez (the Evil Dead remake) delivers a gruelling and tightly wound horror-thriller from frame one. Don’t Breathe subverts every overplayed horror-thriller trope. The blind man’s house, although filled with darkened crevasses, features minimal jump scares. He and cinematographer Pedro Luque veer away from shaking cameras or gratuitous clichés. Its set pieces throw young, spritely protagonists against a formidable villain and a vicious rottweiler. The infra-red sequence provides plenty of edge-of-your-seat thrills. Like Panic Room, the situation, characters and plot collide without excessive violence or gore. However, due to the second half’s disturbing plot twists, it turns from David Fincher thriller to Park Chan Wook stomach-churner.

He, alongside screenwriter Rodo Sayagues, focuses on character and story depth. Although similar to many anti-heroes, its three leads are fully developed from the opening scene. In reality, they are purely despicable. Here, their code of ethics and goals make sense. The first heist sequence, with limited dialogue, establishes their rules (not stealing over $10,000, making it look authentic etc.). After entering the blind man’s realm, the movie’s tension and stakes spike drastically. Although depicted in the trailer, Money’s brutal death makes for a crucial scene. The cast throw themselves into ostensibly schlocky material. Levy and Minnette are two of Hollywood’s most dynamic young actors. Lang, known as Avatar‘s scarred-up baddie, is a force of nature. Sadly, Zovatto’s gangbanger stereotype does not work.

Don’t Breathe – beyond creating #turkeybaster – is one of 2016’s most visceral cinematic experiences. Alvarez deserves the leap from indies to blockbusters. His relentless style and screenwriting touches flip genres on their heads.

Verdict: A tight horror-thriller.

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