Director: Jaume Collet-Serra
Writer: Anthony Jaswinski
Stars: Blake Lively, Oscar Jaenada, Sedona Legge, Brett Cullen
Release date: August 18th, 2016
Distributor: Columbia Pictures
Running time: 86 minutes
Best part: Blake Lively.
Worst part: The CGi shark.
Sharks are fearsome and fascinating members of the animal kingdom. Jaws, since its 1975 release, has scared people from going into the water. The Steven Spielberg classic is essentially an expertly crafted B-movie. It also paved the way for many shark-related thrillers from Deep Blue Sea to Sharknado (sadly). The Shallows is…yet another one.
Although better than most of them, The Shallows is Hollywood’s perfunctory return to the sub-genre. Its marketing campaign relied on two things – the monster in question and Blake Lively’s stunning post-pregnancy body. If that sounds appealing, this survival-thriller is cinematic gold. It follows former medical student turned permanent traveller Nancy (Lively). Nancy’s trip through Mexico includes a secluded beach her mother had once visited. Whilst surfing throughout the afternoon, she meets two beefcake surfers (Angelo José Lozano Corzo and José Manuel Trujillo Salas). Catching that one last wave, she is stranded 200 metres from shore.
Of course, a massive Great White Shark forces her between a rock and a hard place. In shark-thriller fashion, The Shallows balances between genuine moments and silly plot twists. The central premise is simple – placing one person in one dangerous place/situation for 90 thrilling minutes. Like your average survival-thriller (Life of Pi, 127 Hours, Gravity), the drama pinpoints our basic fears. Lively and director Jaume Collet-Serra (Non-Stop, Run All Night) stick by the simple-yet-effective formula. Collet-Serra handles the loneliness-in-a-large-space set-up expertly. The first third sees Nancy connect with the picturesque setting. It’s easy to lose one’s self in the blue sky and pristine ocean vistas. However, its surfware-commercial style and fetishistic butt-shots extend this sequence several minutes too long.
Screenwriter Anthony Jaswinski tries and fails to develop Lively’s character. Her back story – her mother’s death, dropping out of medical school, daddy problems etc. – has been done countless times before. However, once the mayhem begins, Collet-Serra and Lively elevate the material. The movie devotes time to the lead character’s intelligence. Developing multiple survival strategies, Nancy is a fun and interesting character by the third act. Monitoring the shark’s behaviour, She puts her medical skills and tenacity to the test. The movie’s most exciting moments see her rushing between the reef, nearby whale carcass and buoy. The third act is a schlocky, over-the-top thrill-ride between obstacles. Lively puts her impressive physicality and neat comedic timing to good use. Sadly, her shark co-star never looks convincing. The gleaming CGi aesthetic undercuts opportunities for jump scares.
The Shallows may be one of 2016’s most entertaining blockbusters. Its simple-yet-effective formula overshadows the dumber elements. It lacks the pretentiousness, cynical attitude and haphazard storytelling of most of the year’s bigger-budget efforts.