Directors: Jon Lucas, Scott Moore
Writers: Jon Lucas, Scott Moore
Stars: Mila Kunis, Kristen Bell, Kathryn Hahn, Christina Applegate
Release date: August 11th, 2016
Distributor: STX Entertainment
Running time: 100 minutes
Best part: The leads’ chemistry.
Worst part: The love-interest sub-plot.
Gender equality in Hollywood: four words guaranteed to cause discussion. Pioneering actresses, directors, and writers have spoken about the pay gap, better roles and more opportunities. From Meryl Streep to Jennifer Lawrence, women are taking over tinseltown. If Bad Moms says anything, A-list actresses are already taking over mainstream comedy.
Bad Moms follows in the tradition of movies with ‘bad’ in the title. It begins with young mother Amy Mitchell (Mila Kunis) struggling to balance kids, work, marriage and everything in between. Her manchild husband and two children, Jane (Oona Laurence) and Dylan (Emjay Anthony), make matters hellish. One day, after a shocking revelation and an even worse day after, Amy quits the modern-working-mother lifestyle. Befriending frantic stay-at-home mum Kiki (Kristen Bell) and slutty layabout Carla (Kathryn Hahn), Amy discovers that it feels good to be bad. However, Parent Teacher Association head-honcho Gwendolyn (Christina Applegate), and her sidekicks Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo) plan on ruining the fun.
Bad Moms criticises everything cruel and demeaning about Hollywood. On the heels of Bridesmaids and Ghostbusters, it’s another example of big-screen female prowess. Writer/Directors Jon Lucas and Scott Moore, part of the Hangover trilogy, expertly balance relatable character beats and R-rated hijinks. The opening showcases the working-mother’s everyday obstacles. Amy is continually run off her feet; late for everything and underappreciated by everyone. Like most Hollywood comedies, the first half is chock-a-block with stupid and unlikable supporting characters. Of course, the movie’s intended goal is to switch on-screen gender stereotypes. However, the male and child roles are borderline offensive. Amy’s dalliance with widowed dad Jessie (Jay Hernandez) survives on the actors’ chemistry.
It provides a touching message about motherhoods’ highs and lows. Despite their drastic turns, our lead characters are never unlikable or unhinged. Its endless montages and girl-power moments are wholly infectious. The supermarket sequence is hysterical. Shot in slow motion, our dynamic trio performs a series of heinous atrocities to food, drinks and staff members. In addition, the house party scene provides gross-out humour and unexpected surprises. The movie relies on Kunis, Bell and Hahn’s more-than-capable shoulders. Kunis balances frazzled and snarky with aplomb. Her sharp comedic timing and charming smile fit the character. Bell, known for tough-chicks in series’ Veronica Mars and House of Lies, is delightfully twee. Hahn propels herself into A-list status; delivering laugh-out-loud bites as an irresponsible badass.
Bad Moms is a sweet, carefree chick flick and intelligent, gross-out farce. Kunis, Bell, Hahn and everyone else elevate such harmless material. The writer-directors’ grand comedic timing makes for a pleasant time. Above all else, the closing credits sequence adds a nice touch.