Director: Rawson Marshall Thurber
Writers: Rawson Marshall Thurber, Ike Barinholtz, David Stassen
Stars: Kevin Hart, Dwayne Johnson, Amy Ryan, Aaron Paul
Release date: June 30th, 2016
Distributor: Warner Bros. Pictures, Universal Pictures
Running time: 107 minutes
Best part: Johnson’s loopy performance.
Worst part: The by-the-numbers plot.
One is an African-American stand-up comedy icon turned super-successful leading man. The other is an African-American-Samoan professional wrestler turned multimedia empire god. Both are clever, social media-savvy and 110% critic proof. Seriously, who doesn’t love Kevin Hart and Dwayne Johnson?! The world is in luck, with the pair teaming up to help breathe new life into the buddy-action genre.
Central Intelligence is the first in, hopefully, a never-ending series of movies starring the two. The movie’s marketing campaign was genius, complete with the self-aware line ‘Saving the world takes a little Hart and a big Johnson’. It kicks off in 1996, with Calvin Joyner (Hart) being recognized for an award at the high school’s last prep rally for the year. Calvin is the graduating class’s most talented, popular, attractive and likely to succeed. On the other side of the coin, Robbie Wheirdicht (Johnson) is an overweight kid, with no friends, prone to dancing in the boys locker room showers and suffering shocking acts of bullying. The movie jumps forward 20 years, and Calvin is stuck in a boring accounting job with only high-school sweetheart Maggie (Danielle Nicolet) on his side. On the flip side, Robbie – now Bob Stone – is a ripped, hunky CIA agent.
Make no mistake, there is nothing new or original about Central Intelligence. Borrowing from everything between Lethal Weapon and Spy, the movie checks almost every turn, sub-plot and archetype off the list. The plot boils down to multiple tried and true buddy-cop and spy-comedy clichés. Perfunctorily, Calvin and Robbie bond before the havoc begins. The spy stuff kicks into gear later than expected, with the introduction of fellow CIA agent Pamela Harris (Amy Ryan) and her mission to expose Robbie’s suspected rogue operations. If anything, it cares almost too much about the plot. Even this cast, despite effortlessly delivering reams of exposition, can’t make the superfluous spy-mission speak more interesting. However, everything around the plot elevates the movie above expectations.
Central Intelligence is an explosive and hilarious thrill-ride thanks to its cast, writers, and director’s enthusiasm. Director and co-writer Rawson Marshall Thurber (Dodgeball, We’re the Millers) provides his brand of quick-witted comedy. Like his previous efforts, he balances carefully crafted material and improvisation time for his performers. Aided by writer/actor Ike Barinholtz (Bad Neighbours), he delivers a strong assortment of funny one-liners and memorable moments. Its set-pieces are also top-notch, with Hart and Johnson showing off immense action and comedy skills. Hart becomes an effective straight man to Johnson’s over-the-top character. Johnson is the runaway winner, delivering enough mannerisms to balance between enviable action hero type, sensitive victim, and kooky sociopath.
Despite the familiar feel, Central Intelligence is a spot-on action-comedy with thoughts and thrills. The funky sense of humour, fun set-pieces, clever cameos and cast and crew’s infectious energy separate it from the pack. In addition, the movie’s blooper reel is worth sticking around for.