Director: Jodie Foster
Writers: Alan Di Fiore, Jim Kouf, Jamie Linden
Stars: George Clooney, Julia Roberts, Jack O’Connell, Dominic West
Release date: June 2nd, 2016
Distributor: TriStar Pictures
Running time: 98 minutes
Best part: Clooney’s charm.
Worst part: The third-act twists.
Unquestionably, actor/director Jodie Foster is a Hollywood legend of unrivalled industry recognition. With a sterling reputation in front of and behind the camera, the 53-year-old deserves to spearhead her own projects between now and infinity. However, her critical success – based on unique and interesting projects – has never led to major box-office returns. Old-fashioned hostage-thriller Money Monster won’t attract any new fans.
Money Monster presents the high-ego, low-emotion world of financial television. Host Lee Gates (George Clooney), star of TV phenomenon Money Monster, can influence the stock market’s peaks and troughs. The loud financial guru lives and dies with his wacky persona and highfalutin lifestyle. Longtime show director, Patty Fenn (Julia Roberts) has had enough, leaving the studio for one across the street. On her last day, during Money Monster‘s latest live telecast, delivery man Kyle Budwell (Jack O’Connell) shuffles into the studio. He pulls a gun, holds Gates hostage, and forces him to wear an explosive-laden vest. Budwell had placed his life savings and deceased mother’s inheritance ($60,000) on IBIS Clear Capital stock after Gates’ endorsement. Now, with a trading algorithm glitch costing investors $800 million overnight, he wants answers.
Money Monster ambitiously blends Dog Day Afternoon‘s intensifying hostage-thriller vibe with Network‘s biting media commentary. Foster, coming off Mel Gibson flop The Beaver, delivers a more approachable and straightforward hostage-thriller than expected. The central premise, staging a hostage crisis for the world to see in high-definition, is certainly prescient. The first half is intriguing, developing Gates and Budwell’s uneasy dynamic with Fenn and the production crew watching on. Foster balances light and dark moments throughout, finding a funny side within the madness. However, The second half becomes a derivative and baffling espionage-thriller devoid of tension. The plot is a jumbled mess – throwing in IBIS chief communications officer Diane Lester(Caitriona Balfe)’s investigation of CEO Walt Gamby (Dominic West), bumbling New York police, South Korean programmers, Icelandic hackers, and South African mining strikes.
Money Monster‘s third act delivers several nonsensical twists and turns, lessening the overall impact. More so, Foster pushes a topsy-turvy political agenda. Gates, at first, represents the snobbish and shallow 1% behemoth standing on top of us. However, after some personal confessions, he suddenly turns into the ultimate saviour for the little guy. On the other side of the coin, Budwell kicks off his crusade with a mission – to prove Wall Street jargon cannot pull the wool over our eyes. As his back-story unfolds and antics turn foolish, it becomes difficult to like or feel sorry for him. Thankfully, Clooney is still a charismatic and jazzy leading man. Despite limited screen time together, he and Roberts develop a nice rapport. However, O’Connell delivers an over-the-top performance and laughable ‘New Yawker’ accent.
Sitting between the technical precision and resonance of Inside Man and silly terribleness of Man on a Ledge, Money Monster never transcends or even reinvigorates the hostage-thriller genre. Despite the unexpected little twists, Foster’s latest effort gives strong performers little to work with.