Director: Dave Green
Writers: Josh Appelbaum, Andre Nemec
Stars: Megan Fox, Stephen Amell, Will Arnett, Brian Tee
Release date: June 9th, 2016
Distributor: Paramount Pictures
Running time: 112 minutes
Best part: The skydiving set-piece.
Worst part: The weak villains.
Teenage Mutant Ninja Turtles: Out of the Shadows encapsulates everything cheap and monotonous about modern Hollywood. It is not simply that it’s rote, or confused, tiresome etc., it’s that there is just nothing special about it. Despite the aim to please the core franchise audience, it fails on the basis of completely ignoring everyone else. This instalment is a poorly-handled and forgettable waste of significant filmmaking resources.
Despite the harsh words, Out of the Shadows is nowhere near as obnoxious and amateurish as the 2014 original/reboot. The original threw together focus-group logic and studio-executive desire into a soulless melting pot. The sequel sees our four reptilian warriors – Leonardo (Pete Ploszek), Raphael (Alan Ritchson), Donatello (Jeremy Howard), and Michelangelo (Noel Fisher) – wary of the humans around them. Afraid of exposure, the troupe – with Master Splinter(Tony Shalhoub)’s help – carefully choose opportunities to explore the outside world. Meanwhile, plucky journalist April O’Neil (Megan Fox) investigates renowned scientist Dr. Baxter Stockman (Tyler Perry)’s dealings with Shredder (Brian Tee). Shredder, escaping custody with the Foot Clan’s help, hires fellow escaped convicts Bebop (Gary Anthony Williams) and Rocksteady (Stephen ‘Sheamus’ Farrelly) to execute a world-destroying plan.
Out of the Shadows cherry picks characters, plot-lines, iconography, and imagery from the TMNT movies, cartoons, comic books, merchandise, and video games. This instalment is strictly for die-hard fans, spending most of its 112-minute run-time on fan service and selling toys. Alongside the turtles and April’s antics, sub-plots including Vern Fenwick(Will Arnett)’s newfound fame, cop-turned-vigilante Casey Jones(Stephen Amell)’s revenge mission, and alien baddie Krang(Brad Garrett)’s assault on Earth rear their ugly heads. The movie never allows its sub-plots or characters to develop beyond one or two dimensions. Its tone is almost unbearable, throwing in too many wacky elements at once. Intriguing ideas, including the turtles’ desire to become human, are overshadowed by bright lights and bubblegum.
Like with most blockbusters, Out of the Shadows‘ screenplay – written by TWO so-called ‘professionals’ – is overstuffed and weightless simultaneously. However, this movie is not for the critics. Developed and marketed for children, the target audience won’t mind the gaping plot-holes or lack of originality. The action is enjoyable, combining state-of-the-art motion-capture performance and technical wizardry. The cargo plane sequence adds several layers to this otherwise lifeless affair. The direction, special effects and humour combine effectively for this all-too-brief rollercoaster ride. The humans are more lifeless and irritating than their CGI counterparts. Fox, once again, delivers a flat performance guided by pure sex appeal. Amell provides a charmless Chris Pratt impression and toothy grin for the female viewers.
Out of the Shadows mines this once-popular franchise to the brink of collapse. For all the bright colours and flashing lights, this sequel proves only one thing – popularity and quality are not the same. The installment embarrasses the redeemable cast, hard-working production crew, and studios.