Bastille Day Review: The French Connection


Director: James Watkins

Writer: Andrew Baldwin

Stars: Idris Elba, Richard Madden, Charlotte le Bon, Kelly Reilly

getmovieposter_bastille_day


Release date: April 22nd, 2016

Distributor: Focus Features

Country: USA

Running time: 92 minutes


3/5

Best part: Idris Elba.

Worst part: The convoluted plot.

Action-thriller Bastille Day follows formula to the letter. Indeed, the process of watching the movie provides a strong sense of deja vu. However, in coming out on the heels of overbearing superhero flicks and fantasy-adventures, it stands out as a good chunk of ol’ fashioned thrills.

Bastille Day, set on the eve of the titular French commemoration/public holiday, follows grizzly CIA operative Briar(Idris Elba)’s dealings in Paris. Briar – kicking down doors/punching/shooting/grimacing first, asking questions later – seeks to redeem himself after botching a previous mission. Meanwhile, a group of euro terrorists/undercover SWAT officers plan to blow up a political landmark to ignite tensions between the police, activists, and Muslim community. The scheme backfires when pickpocket Mason (Richard Madden) inadvertently steals the bomb bag from Zoe (Charlotte le Bon) and dumps it in a public area seconds before detonation.

The movie, predictably, then turns into a simplistic cross between your average man-on-the-run thriller and somewhat light-hearted buddy-actioner. The plot is certainly cliched, jumping between clues and suspects before the goodies and baddies violently cross paths. With Briar and Mason forced to work together, every twist and turns relies on the former’s brute strength and the latter’s guile and skillset. The movie only briefly touches on the duo’s backstories, intent on sticking with their energetic dynamic. Despite its blissful simplicity, the third act delivers several ludicrous plot twists.

Like similar Luc Besson-helmed/euro-american flicks, Bastille Day‘s tone lurches awkwardly between blissful thrills and confronting sociopolitical discussion. Release mere months after the Paris terror attacks, the movie brazenly depicts the police force, Muslim community, and youthful revolutionary groups as angry hornets nests quick to cause all-out rebellion. Siding with the American lead characters over everyone else, its political edge may rub viewers the wrong way. Elba makes a strong case for being the next James Bond – handling the action sequences, dramatic moments, and humour with aplomb. Madden, known as Game of Thrones‘ protagonist Robb Stark, provides an charismatic yin to Elba’s yang.

Director James Watkins (Eden Lake, The Woman in Black) and writer Andrew Baldwin create an entertaining 90-minute distraction. Fit for a lazy Saturday, Bastille Day skates by on Elba’s charm, bruising action, and solid pacing.

Verdict: A serviceable action flick.

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