Creators: Doug Petrie, Marco Ramirez
Stars: Charlie Cox, Deborah Ann Woll, Elden Henson, Jon Bernthal
Genre: Action, Crime-drama, Superhero
Premiere: March 18th, 2016
Best part: Jon Bernthal.
Worst part: A few too many episodes.
Last year, Netflix and Marvel’s first collaboration, Daredevil, set the bar for superheroes on the small screen. With Batman v. Superman: Dawn of Justice and Captain America: Civil War taking over the big screen in 2016, Marvel and DC Comics/Warner Bros. continue their ongoing war for supremacy and positive reviews in our homes. Eclipsing The Flash, Gotham, Agents of SHIELD, and Arrow, Daredevil – Season 2 is the best superhero show and one of contemporary TV’s biggest surprises to date.
Daredevil – Season 2 kicks off acknowledging the back-breaking, bone-crunching events of Season 1. With Wilson Fisk/Kingpin (Vincent D’Onofrio) behind bars, Law firm Nelson and Murdock, held up by colleagues/best friends Matt Murdock (Charlie Cox) and Foggy Nelson (Elden Henson), is – despite sending Fisk to the slammer – facing a swift tumble down the plughole. Murdock, donning the red, leather Daredevil costume every night, is forced to decide between a quaint existence alongside Nelson and assistant Karen Page (Deborah Ann Woll) and ongoing vigilante/saviour responsibilities.
Of course, topping the quality and events of the previous season, Daredevil’s second outing introduces higher stakes and several alluring new characters. Frank Castle/The Punisher (Jon Bernthal) is a man driven to the edge of sanity by the death of his wife and child. With Hell’s Kitchen gangs hunted down one by one, the public soon turns against Castle and Murdock’s forms of citizen justice. Castle, depicted in several lacklustre big-screen iterations previously, is treated with respect here. Like his comic-book counterpart, this version is a cunning, thought-provoking anti-hero unafraid to twist the knife. Their action sequences provide that ‘dark & gritty’ aura most blockbusters fumble, informing each character’s persona and the show’s hyperkinetic atmosphere.
Daredevil and Castle’s conflict provides the psychological and thematic backbone other superhero adaptations typically lack. Castle provides a no-holes-barred approach, eviscerating criminals with military precision whilst making sure they never get back up. Daredevil, however, beats people to a pulp but leaves them for the police to put behind bars – eventually facing the consequences of their actions. From the scintillating courtroom sequences to thunderous set-pieces, this debate adds new layers to the genre whilst keeping the audience guessing.
Elektra Natchios (Elodie Yung) slinks out of the darkness to give our favourite blind lawyer/vigilante, and her old boyfriend, a run for his money. A significant part of the season’s second half, the character is too given an honourable treatment compared to previous iterations (Sorry, Jennifer Garner). Utilising her sex appeal, tenacity, and ferociousness to her advantage, her persona pulls Murdock into a befuddling world of ninjas, scheming villains, and spiritual awakenings. She, balancing out Castle’s impact on the narrative, is a force to be reckoned with and worthy of a spin-off before joining The Defenders.
Most importantly, Cox provides a delightful, multi-layered performance as the Devil (angel) of Hell’s Kitchen. Similarly to Chris Evans’ Steve Rogers/Captain America, the performer creates a unique, nuanced divide between superhero and alter ego. Creating a physical specimen and vulnerable everyday citizen, the creators, writers, directors, and Cox combine to develop an arresting lead character – carrying all 13 episodes with ease. With Murdock facing off against physical threats, Nelson and Page aptly balance the warfare with wit and flair throughout their all-important sub-plots.
Sitting comfortably alongside Season 1 and Jessica Jones, Daredevil – Season 2 is a tight, taut continuation of one of TV’s best shows and the Marvel Television/Cinematic Universe.