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Director: Patrick Hughes

Writers: Creighton Rothenberger, Katrin Benedikt, Sylvester Stallone

Stars: Sylvester Stallone, Jason Statham, Wesley Snipes, Mel Gibson

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Release date: August 14th, 2014

Distributor: Lionsgate

Country: USA

Running time: 126 minutes


 

3½/5

Best part: Snipes and Banderas.

Worst part: The dodgy CGI.

Anyone remember the hospital scene from The Dark Knight? In particular, the part where The Joker mashes on a detonator to set off a firestorm of explosions? Now, do me a favour: picture that scene, then apply it to the Expendables franchise. Over the course of three movies, the directors, actors, and ‘writers’ involved have done little more than mash on detonators and watch studio-approved pyrotechnics light up the sky. Here, our pathos-driven Expendables come out all guns blazing for one last hurrah. The Expendables 3 is, at the very least, an efficient and amusing way to waste two hours.

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Sylvester Stallone at his baddest!

Nowadays, action flicks – leaning on extreme expectations from young, middle-aged, and old cinema-goers alike – are continually shot down by harsh critical backlash. Despite making piles of money higher than Scarface’s cocaine mountain, this series is seen as being the nadir of blockbuster filmmaking. More so, its cast members are laughed at for drifting through an extreme aura of denial. However, thanks to cinema heavyweight Sylvester Stallone’s influence, there’s something just so intriguing about these movies! This time around, Stallone and co. delivered a gargantuan marketing campaign. Willing to roll tanks through the Cannes Film Festival, this cast and crew lap up the attention they so desperately crave. Obviously, The Expendables 3 is not looking to be a straight-laced meta-narrative about the perils of getting older. Here, Stallone’s army is simply having a grand ol’ time in the spotlight. The plot, such as it is, revolves around the aforementioned team losing members left and right. Breaking original Expendable Doctor Death (Wesley Snipes) out of a fortified prison locomotive, Barney Ross (Stallone), Lee Christmas (Jason Statham), Gunnar Jensen (Dolph Lundgren), and Toll Road (Randy Couture) meet up with Hail Caesar (Terry Crews) to track down more bad guys and send them to hell! Unsurprisingly, their Somalia mission goes horribly wrong when arms dealer/former Expendable Conrad Stonebanks (Mel Gibson) severely harms one of our muscle-and-wrinkle-bound heroes.

Jason Statham and Wesley Snipes' friendship on a...knife's edge.

Jason Statham and Wesley Snipes’ friendship on a…knife’s edge.

Obviously, this series has suffered its fair share of hits and misses. The 2010 original, thanks to cheap CGI and a diminutive scope, tripped over its own intriguing premise. However, 2012’s sequel delivered several testosterone-driven set pieces and ‘f*ck yeah!’ moments. Thankfully, The Expendables 3 defies the odds whilst  sticking to its guns…and knives…and colostomy bags. Running its premise ragged, this instalment could, and should, follow its poster’s advice and establish itself as that “one last ride”. Upping the stakes and scale immediately, this sequel displays more signs of life than our ageing screen icons. It delivers everything you’d expect: train/helicopter chases, car chases, knife fights, shootouts, explosions, funny lines, emotionally gripping twists, and more deaths than The Wild Bunch… and that’s all within the first 20 minutes! The opening set pieces, developing a consistent tone, launch this sequel into overdrive. Sadly, Stallone takes everything a little too much to heart. Firing his near-retiree buddies, Stallone’s roided-out stature goes looking for fresh meat. Sadly, despite mercenary turned recruiter Bonaparte(Kelsey Grammer)’s sage advice, the middle third stalls an otherwise promising actioner. Stripping away its nostalgic glow, the youngsters – rounded out by hacker Thorn (Glen Powell), Vegas bouncer Luna (Ronda Rousey), ex-Marine John Smilee (Kellan Lutz), and weapons specialist Mars (Victor Ortiz) – lack their elders’ overt charisma. Adding zero gravitas to the conventional narrative, the middle third is salvaged only by zany badasses Trench (Arnold Schwarzenegger) and Galgo (Antonio Banderas). In addition, the original members transition from vicious warriors into jealous buffoons.

“Jing-a-lang, jang-a-lang…” (Doctor Death (Wesley Snipes), The Expendables 3).

Antonio Banderas as kooky mercenary Galgo.

Beyond the vicious piracy scandals, The Expendables 3 is still one of Lionsgate’s biggest box-office weapons. However, Despite director Patrick Hughes(Red Hill)’s commendable intentions, the screenwriters and post-production workers spray a hellfire of bullets into this fresh corpse. Delivering dodgy CGI, cheap stock footage, distracting film grains, and off-kilter voice dubbing, this heavy-duty juggernaut hasn’t been taken care of. Delivering a near-inexcusable final product, Stallone and co. should know better by now. However, thanks to Hughes’ searing direction and the cast’s enthusiasm, The Expendables 3 is a franchise standout! The action, though choppy to accommodate the PG13+ rating, fires on all cylinders. Utilising its performers’ abilities, the fight choreography lands several effecting blows. With Hughes hitting his stride, these sequences deliver enough explosions, knife attacks, and gunshots to take down a small army. In fact, that’s exactly what our plucky heroes do in the hell-bells final third. Throwing in tanks, helicopters, Harrison Ford, and Jet Li, this extended action sequence delivers well-charged thrills and energetic back-and-fourths between fan favourites. Despite the stupidity, motorcycle stunts and falling buildings add to the immense spectacle. In addition, as expected, our leads’ rapport is worth the ever-increasing admission cost. As the franchise’s saviour, Stallone carries the lead role with style and gusto. Getting along with Statham and co., his immense presence elevates hokey material. In addition, Snipes and Banderas are wholly aware of the movie they’re in. Blissfully, their charm offensives sit well with the series’ baffling  stupidity.

With Stallone and the gang keeping everything afloat, at this point, this series has, unquestionably, said everything it could ever hope to say! With a fourth instalment and The Expendabelles on the cards, I can only hope they recruit some better screenwriters and post-production staffers to salvage the mission. Obviously, hiring Shane Black or John Woo would deliver that truly brilliant Expendables flick we’ve been waiting for. However, compared to 2014’s other nostalgia-driven actioners, you could do a helluva lot worse than this low-three-and-a-half-star explosive thrill-ride.

Verdict: A charming yet transparent explosion fest.

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