Theatre Review – Les Miserables @ Queen’s Theatre


Directors: Trevor Nunn, John Caird

Music/Lyrics: Claude-Michael Schonberg, Alain Boublil, Jean-Marc Natel, Herbert Kretzmer

Stars: Simon Shorten, David Thaxton, Celinde Schoenmaker, Tom Edden

66631-large


Basis: Les Miserables (novel) by Victor Hugo

Adaptation: Claude-Michel Schonberg, Alain Boublil, Trevor Nunn, John Caird

Premiere date: 1980 (Paris), 1985 (west End)

Genre: Musical, drama


 

 

4½/5

Best Part: The rousing musical numbers

Worst Part: The stodgy love triangle

Courageously, a handful of musicals have stood the test of time. These select few, visually and thematically standing out from the crowd, have been proven worthy of pop-culture acclaim. Even the average Joe, who may or may not know anything about musical theatre, is aware of these productions and their effect on the world. However, big-budget musicals like Wicked, The Loin King, Jersey Boys, and Miss Saigon – despite their overwhelming auras – all pale in comparison to the world’s biggest theatre production. I’m, of course, talking about period-piece extravaganza Les Miserables.

The cast in control.

So, the question remains, how has Les Miserables become this prominent and insightful? Why is a musical about a French Revolution considered to be the most important creation in theatre history? Certainly, the narrative doesn’t inspire confidence or rave rounds of applause. The premise is steeped in one of history’s most depressing periods. In fact, its acclaim all comes down to the execution. The musical, thanks to acclaimed writers/lyricists Alain Boubil and Claude-Michael Schonberg, is a worthwhile delight in the midst of its exhaustive pop-cultural impact. After 25 years in the spotlight, this theatre extravaganza is still holding onto its best-and-brightest characteristics. Nowadays, after the 2012 blockbuster adaptation collected an enthusiastic choir of newcomers, future performances need to excel to satisfy its ever-increasing audience. So, does the West End’s ongoing iteration still hold-up to scrutiny? Well, in short, yes it absolutely does! Obviously, each performance tells the same story about heartfelt characters struggling to survive. However, this version delivers more refreshing nuances than operatic high notes (and that’s saying something). Queen’s Theatre, the heart of London’s artistic hub, now hosts this extraordinary endeavour. Walking up the steps, the anticipation builds like a grand crescendo. Greeted by courteous employees, I was immediately impressed by the venue’s atmospheric vibe.

A vibrant French Revolution.

Soon enough, after the rabid theatre geeks and groan-fuelled school kids took their seats, the lights steadily dimmed as the performance kicked off in style. Closing the surrounding curtains, the venue had prepped the audience. From there, the projector beamed bright colours and titles onto the stage’s immense canvas. The narrative rears its disgusting head in 1815, Digne. Matched by a momentous opening number, disgraced prisoner Jean Valjean (Simon Shorten) is released from his sentence by notorious lawman Javert (David Thaxton). Rejected by society, Valjean is ignored by everyone except the gracious Bishop of Digne (Adam Linstead). Those familiar with the musical will be able to track where this story goes after its traumatic  opening. After factory worker Fantine (Celinde Schoenmaker) is forced into prostitution, Valjean risks everything to help her daughter Cosette (Emilie Fleming) achieve a better life. Shockingly, I find it difficult to spell-out these details. This musical’s prowess lies within its darkest and most transcendent elements. Les Miserables‘ tiniest details reveal themselves at opportune moments. Suitably, viewers will lap-up this exhaustive, gripping, and touching experience. The story, revelling in the time period and courageous characters, is just one of several invigorating aspects of this stirring extravaganza. From there, several major and minor characters and plot-threads clash throughout the 150-minute run-time. Thanks to Thenardier (Tom Edden) and Madame Thenardier(Wendy Ferguson), a love triangle forms between Cosette, idealistic student Marius (Rob Houchen), and Eponine (Carrie Hope Fletcher).

“I had a dream my life would be so different from this hell I’m living!” (Fantine(Celinde Schoenmaker), Les Miserables)

1097-1923-Master of the House

The Thenardiers.

Suitably, Les Miserables‘ musical numbers fuel its scintillating and unrelenting narrative. From the confronting opening sequence onward, the show’s top-tier numbers ring throughout the venue. Here, the performers deliver each song flawlessly. Within the first 45 minutes, this musical showcases its most profound and memorable songs. ‘Valjean’s Soliloquy’, ‘I Dreamed a Dream’, and ‘Castle on a Cloud’ tug on the heartstrings whilst telling gritty stories in themselves. Describing our lead characters’   conflicts and motivations, these numbers are first-half highlights. In addition, despite being brash comic reliefs, the Thenardiers work wonders for this sombre tale. ‘Master of the House’, fitting comfortably into this sprawling narrative, is a punchy and effective song. Utilising the entire stage, this version’s intricate production design boosts the experience. Switching sets with flawless technical precision, Les Miserables smoothly transitions between time periods, locations, and set pieces. Thanks to the swivelling stage mechanism, the larger-than-life execution crafts a momentous scope. The second-half’s battle sequences, combining the love triangle with Valjean’s dilemma, deliver timeless numbers and breathtaking choreography. Gun shots and bellowing cries help paint a portrait of this vital conflict. Graciously, the performers bolster this stirring stage production. Shorten, replacing Peter Lockyer for this performance, is a breakout success as the troubled prisoner turned protector. Within the first act, his revelatory performance matches Colm Wilkinson and Hugh Jackman’s turns.

Pushing itself to be better than previous productions, this West End version lives up to the original’s efforts and audience expectations. Eclipsing Tom Hooper’s cinematic adaptation, this version sticks to the original’s roots whilst delivering an exciting experience. As the world’s most popular and enlightening musical, the story, set and costume designs, musical numbers, and character arcs stand the test time on both sides of the Atlantic. Do you hear the people sing? Yes, we do. In fact, judging by box-office receipts, we cling onto multiple listens.

Verdict: An immense and note-worthy musical experience. 

22 Jump Street Soundtrack Review – Adrenaline Rushes


Group/Singer: Various

Label: 2014 Republic Records

Genres: Rap, Hip-hop, Pop, RnB 

4/5

Whenever we think about film scores and soundtracks, we normally concentrate on those that send goosebumps streaming across our bodies. Those of John Williams, Hans Zimmer, and Danny Elfman usually cause this type of reaction, as their work is almost always bombastic and gripping. Nowadays, we look to these composers to propel certain blockbusters into the Hollywood stratosphere. But what about the little guys in Tinseltown? What about those who don’t aim to soar, but seek to enlighten in a believable manner?

Normally, scores and soundtracks serve as efficient back-ups for action flicks and hysterical farces. They don’t seek to overwhelm or enrapture, but to be as quaint as possible to let the visuals do all the walking and talking. In the case of 22 Jump Street, with comedic talents like Jonah Hill and physical specimens like Channing Tatum gracing the screen, the soundtrack puts the pedal to the metal exactly like its lead characters do.

The soundtrack, with an eclectic mix of RnB and hip-hop tracks, delivers the perfect walk-away-from-explosions-in-slow-motion compilation. From the first note to the last, this soundtrack utilises the most engaging commercial music on offer. This might seem like an out-of-touch description, but this soundtrack’s willpower is bafflingly astonishing. From an outsider’s perspective, this compilation looks like yet another marketing ploy used to sell tickets and albums. However, like the movie, it’s far better than it has any right to be.

Recommendations: ’22 Jump Street (Theme from Motion Picture)’, ‘Models & Bottles’, ‘Work Hard, Play Hard’

After delving into this soundtrack’s invigorating line-up, I took it upon myself to research how and when they’re used throughout the movie. The first track is, unquestionably, the most satisfying of the bunch. This may be considered a negative, but it gets the album off to a cracking start. Entitled simply ’22 Jump Street’, this number matches the movie’s light-as-air tone and humorous aura. Chronicling everything the movie has to offer, Angel Haze and Ludacris’ track is a sure-fire rush. Clinging onto this fun theme tune, the next few tracks honour the material’s rough-and-tumble vibe.

From the opening track onward, the album takes advantage of this-and-last-year’s best dance-floor hits. The Bingo Players and Far East Movement’s  ‘Get Up’ fuses a lively electronica rhythm and catchy lyrics to become a seminal party anthem. Beyond this, tracks including Blind Scuba Divers’ ‘Models and Bottles’, Diplo and Nicky Da B’s ‘Express Yourself’, and Flosstradamus and Waka Flocka Flame’s ‘TTU (Too Turnt Up)’ are visceral and vivacious electronica/pop smashes that move faster than the action-comedy they’re featured in. However, sadly, some of these tracks are difficult to distinguish from one another. Nacey and Angel Haze’s ‘I Own it’ is a forgettable and uninspired pop number.

Effortlessly, the album’s back-end alone is worth a lot more than most blockbuster soundtracks. Electronica anthems including Shermanology & Grx’s ‘Can’t You See’ and Steve Aoki, Diplo, Deorro, and Steve Bays’ ‘Freak’ are relentless numbers that boost this dynamic compilation. By album’s end, it comes back around to being one of the year’s best compilations. RnB hits including Travis Barker, Juicy J and Liz’s ‘Live Forever’ and Whiz Kalifa’s ‘Work Hard, Play Hard’ are two of modern music’s best efforts. Going down like a smooth vodka shot, this Spring Break-worthy compilation pummels and romances its way into the consciousness.

Verdict: A raucous and electrifying soundtrack.