Director: Doug Liman
Writers: Christopher McQuarrie, Jez Butterworth, John-Henry Butterworth (screenplay), Hiroshi Sakurazaka (graphic novel)
Stars: Tom Cruise, Emily Blunt, Bill Paxton, Brendan Gleeson
Release date: May 28th, 2014
Distributor: Warner Bros. Pictures
Running time: 113 minutes
Best part: Cruise and Blunt.
Worst part: The throwaway one-liners.
Hollywood, over the past decade, has sheltered one of the most influential and polarising public figures. This particular celebrity, known for jumping on Oprah’s couch and keeping Katie Holmes out of the spotlight, is outrageously attacked by critics and filmgoers the world over. Tom Cruise, despite his peculiar comments and religious allegiances, is still one of our bravest movie stars. His latest action flick, Edge of Tomorrow, alights his magnetic screen presence and immense buying power.
In this intensifying action-adventure, based on Japanese graphic novel All You Need is Kill by Hiroshi Sakurazaka, Cruise transitions from media spokesperson to blood-drenched saviour. This role suits the real-life Cruise more so than you’d think. Overlooking his recent comments about A-listers and the US Military, Cruise can sell entire audiences on any character, storyline, and leap in logic. However, despite plastering his impressive physique across the posters, Edge of Tomorrow is much more than a one-man show. The surrounding elements ground Cruise and the premise in an expansive and invigorating layout. The narrative, like similar apocalyptic sci-fi extravaganzas, begins by tying major political issues to the movie’s vicious alien invasion. Creating the United Defense Force to combat the Alien hordes (labeled ‘Mimics’), the world’s military units are straining to control the situation. From there, we meet advertising executive turned military PR advisor Major William Cage (Cruise). Ordered by UDF leader General Bingham (Brendan Gleeson) to join the front lines, Cage must suit up and fight alongside war-hungry privates. Thrown to the wolves, Cage is bullied by his fellow J-Squad members. Storming the beaches of Southern France, his character suffers a horrific death at the hands of a boss-level Mimic.
Cruise haters will love seeing this A-list juggernaut become shockingly eviscerated by alien forces. However, Cruise’s character, after suffering this fate, comes back to life. In this instance, he wakes up 24 hours into the past. Holding onto specific details about the following day, Cage’s proactive nature throws him into each repetitious situation. The first third elevates Edge of Tomorrow above most sci-fi epics of its type. Co-written by Cruise collaborator Christopher McQuarrie (Valkyrie, Jack Reacher), the screenplay races through impactful dialogue, gritty warfare, and tender moments. Immediately ascending above Oblivion, this Cruise vehicle embraces its tried-and-true concepts. Like Source Code, Edge of Tomorrow’s time-loop-based narrative delivers immense surprises and twists on genre tropes. The military base sequences, featuring Cage’s encounters with optimistic Master Sergeant Farrell Bartolome (Bill Paxton) and obnoxious grunts, provide their fare share of witty lines and heartening revelations. From there, the storyline delves headfirst into each explosive action beat and character interaction. The first third’s beachside set pieces, pitting ExoSuited battalions against nasty alien warriors, become nail-biting moments that overshadow the time-shifting premise. Playing with video-game mechanics, Edge of Tomorrow’s relentless storyline lends intelligence to an otherwise derivative concept. These life-or-death scenarios, building to the explosive second-two thirds, are bolstered by Cage’s momentous character arc. Cage, struggling to cope with his newfound talent, looks to persistent Special Forces member Rita “Full Metal Bitch” Vrataski (Emily Blunt) for guidance. Gracefully, Cruise stands aside to allow Blunt’s charismatic persona to stand front and centre. Developing chemistry over several time-loop scenarios, this mismatched paring sidesteps everything we’ve seen before. Pitting a cowardly soldier against a sword-wielding badass, their training sequences deliver entertaining comedic jabs.
“Come find me when you wake up.” (Rita “Full Metal Bitch” Vrataski (Emily Blunt), Edge of Tomorrow).
Despite Edge of Tomorrow’s exhilarating pace and jaw-dropping action sequences, the narrative occasionally falls into dour patches and obvious plot-holes. Switching from a gritty sci-fi war flick to an unending chase story, the movie slowly pushes its time-loop guidelines into the distance. However, beyond these minor complaints, the final third throws landmarks, high stakes, and sacrificial acts into an extended set piece. Director Doug Liman (The Bourne Identity, Mr & Mrs Smith) perfects his action-direction here. As his most entertaining effort, Edge of Tomorrow brings back the frantic editing and swift camerawork he first brought to Go and Swingers. Beyond this, his alien-invasion thriller even constructs a backstory without dropping it halfway through. Comparing Military pragmatism to the conscription era, this tale of masculinity and second chances becomes a step above similar blockbuster schlock. Creating symbols of American idealism and Military prowess, our characters are transcendent and captivating examples of the modern political and social environment. More importantly, however, our characters are extremely likeable. Cruise’s everyman persona and convincing delivery moulds a multi-layered lead character. Before evolving into the typical Cruise/action-hero type, he first steps outside the norm to play this cowardly and manipulative anti-hero. His role – transitioning from blackmail, to acceptance, to pure determination – is nuanced compared to his more recent characters. In addition, Blunt, taking on the action-hero role, stretches her already significant range for her intriguing and damaged character. Mastering fighting skills and yoga poses; Blunt’s character is a mysterious and bubbly foil for Cruise’s outlandish role.
Weapons training and filmmaking rely on repetition. Fortunately, Edge of Tomorrow takes this conceit and delivers thrilling set pieces and refreshing characters. Along with a subversive sense of humour, the movie rewinds time and examines Cruise’s star power. Placing the narrative on a world-sized scale, this sci-fi actioner succeeds without superheroes, transforming robots, or brightly coloured CGI vistas.
Verdict: An entertaining and gripping sci-fi actioner.