Directors: Phil Lord, Chris Miller
Writers: Phil Lord, Chris Miller
Stars: Chris Pratt, Elizabeth Banks, Will Ferrell, Morgan Freeman
Release date: April 3rd, 2014
Distributor: Warner Bros. Pictures
Running time: 100 minutes
Best part: The wink-and-nudge humour.
Worst part: The slightly exasperating length.
One toy company, over past few years, has caused more societal shifts than every government put together. The Lego Group, creating miniature architects and production designers, has an affecting stranglehold on almost every household in the Western World. Venturing into big-budget filmmaking, Lego’s latest spectacle, The Lego Movie, is history’s first BLOCK-buster (you can all have that one!). Fortunately, this animated roller-coaster ride delivers hysterical jokes, fun action sequences, and a modest tone.
Nowadays, with Lego’s video games (Star Wars, Lord of the Rings etc.) conquering the small screen, this franchise delivers hefty amounts of nostalgia. I grew up with these yellow, plastic men myself. I, normally one to turn my nose up at nostalgia-drenched blockbusters, fell head-over-heels for this enthusiastic thrill-ride. Here, The Lego Group steps back about one-or-two cubit meters. Allowing the cast and crew to show off their unique talents, the multi-billion dollar company is displaying its modest side. This could be seen as an ongoing moment of weakness. However, this is a surprising move for this expansive corporation to undertake. Interestingly enough, the movie comes off as a running commentary on capitalism, industry, and social progress. However, before delving into its thematic relevance, I’ll describe the plot before this review smashes into tiny pieces. The story focuses on kooky everyman Emmet Brickowski (Chris Pratt). Emmet, following orders printed in specialised instruction manuals, fits into his city’s way of life. Listening to pop tunes, buying overpriced coffee, and working at a local construction site, Emmet lacks significant qualities. One day, after running into alluring warrior Wyldstyle (Elizabeth Banks), Emmet discovers the key to the universe’s survival.
Labelled “The Special” by the master builder’s leader Vitruvius (Morgan Freeman), and told to collect the fabled “Kragle” weapon, his journey kicks off in spectacular fashion. As you can tell, The Lego Movie‘s plot is lifted from influential action-adventure flicks. Slotting genre tropes and familiar sequences together, the plot rollickingly speeds along toward the explosive climax. In the first third, the Matrix-style narrative kicks into overdrive. Defined by an all-knowing prophecy, the movie is wholly aware of its conventional tropes. Shifting from one action trope to another, The Lego Movie taps into multiple generations’ senses of nostalgia. With Lego being a major part of our childhoods, the movie captures a child’s acute and inventive imagination. Exposing Lego’s lighter and heavier shades, writer/directors Phil Lord and Christopher Miler (Cloudy with a Chance of Meatballs, 21 Jump Street), by throwing these lego creations onto the big screen, accentuate their humorous and clever style. Here, the dynamic duo examines Lego’s pop-cultural impact. Commenting on its own existence, The Lego Movie humbly points out the each twist and turn’s absurdities. This modern animated classic takes its relentless nature and builds upon it. Lord and Miller’s senses of humour place rectangular blocks into affable and important places. Following an intrinsic instruction manual, the duo’s screenplay delivers several eclectic comedic jabs and one-liners. Admittedly, it’s shameful to criticise The Lego Movie for its silliness. Basing a big-budget extravaganza on a famous toy, Lord and Miller keep up the tempo throughout its extensive run-time.
“Whoa, are we inside my brain right now? It’s big. I must be smart.” (Emmet Brickowski (Chris Pratt), The Lego Movie).
Fortunately, Lord and Miller, saving this plot from falling apart, kickstart one action sequence after another. After zany characters like Good Cop/Bad Cop (Liam Neeson) and Batman (Will Arnett) are introduced, certain set pieces fit together seamlessly. Developing a gigantic chase across multiple worlds, these set pieces mix humour, stellar animation, and stylish choreography. The Old West jet battle, featuring a steam train, police planes, and the Batmobile, is an early highlight. Beyond the pulsating action sequences, the animation style enthusiastically bolsters this questionable premise. Fusing CG animation, stop-motion effects, and detailed miniatures, Lord and Miller’s Lego universe is chock-a-block (zing!) with surprises and exhilarating moments. Venturing into “Middle Zealand”, the high seas, and corporate mogul Lord Business(Will Ferrell)’s lair, The Lego Movie trounces Pixar’s more recent efforts. In addition, the little yellow figures, stuck in these chaotic events, are the movie’s most engaging creations. Tapping into Lego’s extensive history, the cast list includes the 2002 NBA All-stars, Michelangelo, Abraham Lincoln, 80s-something spaceman (Charlie Day) and Princess Unikitty (Alison Brie). Beyond this, the movie provides a meta-commentary on Warner Bros. properties. Along with characters from Star Wars, Harry Potter, and LOTR, the movie comes close to creating a Justice League spinoff. Superman (Channing Tatum), Green Lantern (Jonah Hill), and Wonder Woman (Cobie Smulders) are welcome additions. Eclipsing these references, the lead voices cap-off this wondrous comedy. Pratt, Banks, Arnett, Freeman, and Neeson stretch their immense acting talents in these enlightening roles
By all means, The Lego Movie should’ve bombed spectacularly. At first, this overwhelming concept seemed like nothing more than a cheap gimmick. However, put in Lord and Miller’s careful hands, this animated gem, from its conquering landscapes to slick vehicles, has been built with precision, imagination, and care. Of course, credit also belongs to Pratt and co. for bringing these plastic heroes and villains to life. This may be cheesy, but this Lego creation reaches skyscraper-level heights.