Director: Rupert Sanders
Writers: Evan Daugherty, John Lee Hancock, Hossein Amini (screenplay), The Brothers Grimm (fairytale)
Stars: Kristen Stewart, Chris Hemsworth, Charlize Theron, Sam Claflin
Release date: June 1st, 2012
Distributor: Universal Pictures
Running time: 127 minutes
Best part: The breath-taking visuals.
Worst part: The monotonous pace.
Following the recent forgettable slapstick farce Mirror Mirror comes yet another interpretation of the Brothers Grimm fairy tale Snow White. Snow White and the Huntsman takes a large step in the other direction; creating a dark, twisted interpretation of a story normally considered to be a fun, family friendly adventure. Out of the many recent film and TV adaptations of popular fairy tales, this adaptation of Snow White may be the fairest of them all.
This film takes a sharp turn away from the classic 1937 animated adaptation Snow White and the Seven Dwarfs, emphasising many fantasy elements relevant in popular film culture. With the evil Queen Ravenna (Charlize Theron) taking over the kingdom and locking the murdered king’s daughter Snow White (Kristen Stewart) away forever, the king’s once glorious and beautiful reign has crumbled. Her rule forces Snow to escape her captivity and proceed into the dark forest. With a strong desire for Snow’s still-beating heart, she enlists the help of the Huntsman (Chris Hemsworth) to bring her back. The Huntsman’s path however intertwines with Snows as their desire for the freedom of their kingdom leads Snow to be the fated saviour of the land and take her rightful place on the throne.
This interpretation perfectly suits the name of ‘Grimm’. With this familiar story recreated in the serious tone of the revered original material, Snow White and the Huntsman is a derivative yet energetic reinvention of the legend. The direction by first time feature director Rupert Sanders (previously known for creating breathtaking advertisements for the Halo 3:ODST video game) creates a fairytale land that is sickly creepy and gorgeous simultaneously. Despite the uneven pacing throughout, Sander’s film may be seen as his canvas; a blank slate in which his keen eye for visuals and influential works are composed in a multi layered and involving fashion. His action set pieces and cinematography contain elements of blockbuster hits such as Gladiator, Kingdom of Heaven, the similarly envisioned Robin Hood and The Lord of the Rings trilogy with the mixture of handheld camera work, fluid tracking shots and soft lighting. While the affecting landscapes and peculiar creature designs are reminiscent of Hayao Miyazaki’s Princess Mononoke and Guillermo Del Toro’s Pans Labyrinth. Several shots in particular, involving fairies calling Snow White, are filmed in close up on their small faces to create the emotional balance needed for the disgustingly dark story told.The weaker aspects of this interpretation however involve the screenplay. Involving three different screen writers, Evan Daugherty, John Lee Hancock (The Blind Side) and Hossein Amini (Drive), the screenplay is of lesser quality than the visual style due to the many popular genre elements fit in all at once.
“Lips red as blood, hair black as night, bring me your heart, my dear, dear Snow White.” (Queen Ravenna (Charlize Theron), Snow White and the Huntsman).
Despite the many charming dialogue moments and rousing speeches, including one that will leave any sceptic of Stewart thinking twice, flashback sequences and underused characters dilute from the familiar story. Unfortunately, the development of Snow White from victim to determined hero is largely implied. She never convinces the viewer that she is the fabled, strong female lead character the original fairytale portrays her to be. Her underwritten character, though convincingly performed by Stewart, incessantly shifts focus between the more involving characters around her. The dwarfs, played by a plethora of experienced character actors such as Ray Winstone, Toby Jones, Eddie Marsan, Nick Frost, Bob Hoskins and Ian McShane, are also underwritten. Despite engaging performances from this reliable cast, they simply provide moments of comic relief for this otherwise sombre interpretation. The performances from all three leads are enrapturing. Coming off of portraying the detestable female lead character Bella in The Twilight Saga, Stewart can hopefully shrug off that stigma after her dynamic performances in Adventureland, Welcome to the Rileys and now Snow White and the Huntsman. Hemsworth continues his run of charismatic performances after Thor and The Avengers with a thick Scottish accent and axe in hand. While Theron, continuing on from her recent turn as the hardened female antagonist in Prometheus, brings an ice cold demeanour to the sadistic Queen Ravenna.
Though hindered gravely by its sluggish pacing and derivative direction, Snow White and the Huntsman appeals to fairytale buffs and blockbuster nuts equally. Thanks to the charming performances and invigorating visuals, this gritty reboot will work wonders over the holidays.