Director: Ridley Scott
Writers: Damon Lindelof, Jon Spaihts
Stars: Noomi Rapace, Michael Fassbender, Charlize Theron, Idris Elba
Release date: June 8th, 2012
Distributor: 20th Century Fox
Countries: USA, UK
Running time: 124 minutes
Best part: Michael Fassbender.
Worst part: The unanswered questions.
Whether Prometheus is seen as a prequel or brand new adventure in the Alien universe, one thing is certain; no one does sci-fi quite like Ridley Scott. Scott, the director of memorable, smart blockbusters such as Blade Runner and Gladiator, not only excels in different genres but creates fascinating cinematic moments that will live with you forever. As the director of the 1979 classic sci-fi horror flick Alien, Scott’s highly-anticipated return to this universe is a philosophical and shocking account of the search for our beginnings.
We follow many characters, each with their own views of humanity and the mission itself. In 2089, Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) find a star map etched into different archaeological remnants from vastly different civilisations. This constellation, highlighted by the appearance of a large figure pointing to the sky, may in fact symbolise the dawn of man. Landing on the distant moon LV- 223 three years later, the accuracy of this theory is what everyone on the spaceship ’Prometheus’ is searching for. Shaw and Holloway must encounter hostile sceptics including inquisitive human-like android David (Michael Fassbender) and hardened Weylan Corporation executive Meredith Vickers (Charlize Theron). There discoveries will however change the course of human history (for greater and worse) while creating scarily affecting problems for the ship’s largely scientist based crew.
Ridley Scott knows how to deliver truly smart sci-fi. While not as groundbreaking as Blade Runner or Alien, Prometheus carefully and uniquely asks the big questions no one has found the answers to. The screenplay by Damon Lindelof (co-creator/writer of Lost) and Jon Spaihts, based sparingly on Stephen Hawking’s recent theories on the discovery of hostile beings in the universe, uses important questions, suggesting different yet believable theories based on our evolution and of creationism, as the basis for its many character arcs. A believable relationship between this story of our beginnings and murky horror flick reminiscent of the Alien universe is executed in Prometheus, creating a truly dangerous sci-fi adventure, subtly using both references from the Alien films and the seeds to create its own universe. Many of the supporting characters feel two dimensional, developing largely predictable problems for the main characters. The performances, however, as usual with Scott, are all top notch. Rapace once again creates a strong female protagonist; this time noticeably similar to Ripley in the original Alien films. Theron and Idris Elba as the ship’s captain are charismatic in their smaller roles. While the stand out is Fassbender as the peaceful looking android with creepily ulterior motives. Fassbender creates the most fascinating character in modern sci-fi, depicting a strange, multi-functioning automaton with a curiosity for the existential questions his human ‘superiors’ ask. Several small touches, including his accurate impersonation of Peter O. Toole in Lawrence of Arabia, display a fascinating and in-depth depiction of a soulless being in search of a human connection.
“Big things have small beginnings.” (David (Michael Fassbender), Prometheus).
Despite this search for answers leading to a frustratingly ambiguous final third, each character’s motivations and theories delicately and assuredly create the themes of the film, culminating in a search for the reality of existence through hostile and tension filled terms. The film, for the most part, is emotionally powerful. You feel excited when Prometheus lands, while ultimately feeling a strange void in the pit of your stomach with knowing what comes next. Not really surprising to one who knows the brutal story behind the name ‘Prometheus’. Scott isn’t afraid to push the MA15+ rating. The beautiful yet bloody practical effects and creature designs match the violent intensity of the Alien series. The shockingly realistic and blood curdling penetrative deaths are part of the emotional core that will be longingly set in your mind. One scene in particular will have you questioning the practicality of Caesarean sections. The film’s visual appeal is also stunning. The holographic and touch screen applications of their operations and discoveries create several dimensions, using different pix-elated and CG creations to develop an appealing contrast with H. R. Giger’s influential and practical alien spaceship designs.
Does Prometheus live up to expectations? Yes and no. Yes, Scott’s streamlined direction delivers several wondrous set-pieces and visual flourishes. No, the big questions it so-eagerly asks in the first third aren’t given answers. Overall, we might have to show up next time for one ‘final’ adventure.